Free Download American Gargoyles Flannery O'Connor and the Medieval Grotesque
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Book Details :
Published on: 1993-06-01
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Original language: English
Focusing here on the comic genius of Flannery O’Connor’s fiction, Anthony Di Renzo reveals a dimension of the author’s work that has been overlooked by both her supporters and her detractors, most of whom have heretofore concentrated exclusively on her use of theology and parable.Noting an especial kinship between her characters and the grotesqueries that adorn the margins of illuminated manuscripts and the facades of European cathedrals, he argues that O’Connor’s Gothicism brings her tales closer in spirit to the English mystery cycles and the leering gargoyles of medieval architecture than to the Gothic fiction of Poe and Hawthorne to which critics have so often linked her work.Relying partly on Mikhail Bakhtin’s analysis of Rabelais, Di Renzo examines the different forms of the grotesque in O’Connor’s fiction and the parallels in medieval art, literature, and folklore. He begins by demonstrating that the figure of Christ is the ideal behind her satire—an ideal, however, that must be degraded as well as exalted if it is ever to be a living presence in the physical world. Di Renzo goes on to discuss O’Connor’s unusual treatment of the human body and its relationship to medieval fabliaux. He depicts the interplay between the saintly and the demonic in her work, illustrating how for her good is just as grotesque as evil because it is still "something under construction." Full text of "NEW " - Internet Archive Search the history of over 279 billion web pages on the Internet. President Trump: Irish writers have their say President Trump: Irish writers have their say As Donald Trump becomes US president we republish this reaction piece by a host of writers from last November to his ... Grotesque - Wikipedia Since at least the 18th century (in French and German as well as English) grotesque (or grottoesque) has come to be used as a general adjective for the strange ...
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